Thursday, November 10, 2016

Examples: Reels and Artist Statements

For our final assignment you must edit a 45 second to 1 minute reel of your work as a videographer - this means all the footage you have filmed in any classes or projects. If you are low on content you may create a Director/DP reel but you must specify what you filmed and what you directed, but you must indicate your reel using titles in your reel.

FOR  YOUR VIDEOGRAPHER'S REEL: Keep in mind lots of folks have many different reels for different kinds of jobs they pitch for but for this assignment, choose your favorite shots (for their look/aesthetics) and put them together in a way that represents your style, ability to operate and move the camera, your lighting and technical skills.

In class we will talk about CINEMATOGRAPHER/VIDEOGRAPHER'S REEL as well as DIRECTOR and EDITOR REELS - there are differences!
You are also encouraged to browse old 312 sites and see what your peers have put together. Visit the right sidebar, scroll down for pasts 312 reels. 

Tuesday, October 18, 2016

Thursday, October 6, 2016

Group 1's In class Movement Tests

Group1MovementTests from Drake McDonald on Vimeo.
Here it is at long last!!!!

Screenplay Format Examples




What is a Screenplay?

In the most basic terms, a screenplay is a 90-120 page document written in Courier 12pt font on 8 1/2" x 11" bright white three-hole punched paper. Wondering why Courier font is used? It's a timing issue. One formatted script page in Courier font equals roughly one minute of screen time. That's why the average page count of a screenplay should come in between 90 and 120 pages. Comedies tend to be on the shorter side (90 pages, or 1 ½ hours) while Dramas run longer (120 pages, or 2 hours).
A screenplay can be an original piece, or based on a true story or previously written piece, like a novel, stage play or newspaper article. At its heart, a screenplay is a blueprint for the film it will one day become. Professionals on the set including the producer, director, set designer and actors all translate the screenwriter's vision using their individual talents. Since the creation of a film is ultimately a collaborative art, the screenwriter must be aware of each person's role and as such, the script should reflect the writer's knowledge.
For example, it's crucial to remember that film is primarily a visual medium. As a screenwriter, you must show what's happening in a story, rather than tell. A 2-page inner monologue may work well for a novel, but is the kiss of death in a script. The very nature of screenwriting is based on how to show a story on a screen, and pivotal moments can be conveyed through something as simple as a look on an actor's face. Let's take a look at what a screenplay's structure looks like.

The First Page of a Screenplay

While screenplay formatting software such as Final DraftMovie Magic ScreenwriterMovie Outline and Montage frees you from having to learn the nitty-gritty of margins and indents, it's good to have a grasp of the general spacing standards.
The top, bottom and right margins of a screenplay are 1". The left margin is 1.5". The extra half-inch of white space to the left of a script page allows for binding with brads, yet still imparts a feeling of vertical balance of the text on the page. The entire document should be single-spaced.
The very first item on the first page should be the words FADE IN:. Note: the first page is never numbered. Subsequent page numbers appear in the upper right hand corner, 0.5" from the top of the page, flush right to the margin.

Screenplay Elements

Below is a list of items (with definitions) that make up the screenplay format, along with indenting information. Again, screenplay software will automatically format all these elements, but a screenwriter must have a working knowledge of the definitions to know when to use each one.
Scene Heading
Indent: Left: 0.0" Right: 0.0" Width: 6.0"
A scene heading is a one-line description of the location and time of day of a scene, also known as a "slugline." It should always be in CAPS.
Example: EXT. WRITERS STORE - DAY reveals that the action takes place outside The Writers Store during the daytime.
Subheader
Indent: Left: 0.0" Right: 0.0" Width: 6.0"
When a new scene heading is not necessary, but some distinction needs to be made in the action, you can use a subheader. But be sure to use these sparingly, as a script full of subheaders is generally frowned upon. A good example is when there are a series of quick cuts between two locations, you would use the term INTERCUT and the scene locations.
Action
Indent: Left: 0.0" Right: 0.0" Width: 6.0"
The narrative description of the events of a scene, written in the present tense. Also less commonly known as direction, visual exposition, blackstuff, description or scene direction.
Remember - only things that can be seen and heard should be included in the action.
Character
Indent: Left: 2.0" Right: 0.0" Width: 4.0"
When a character is introduced, his name should be capitalized within the action. For example: The door opens and in walks LIAM, a thirty-something hipster with attitude to spare.
A character's name is CAPPED and always listed above his lines of dialogue. Minor characters may be listed without names, for example "TAXI DRIVER" or "CUSTOMER."
Dialogue
Indent: Left: 1.0" Right: 1.5" Width: 3.5"
Lines of speech for each character. Dialogue format is used anytime a character is heard speaking, even for off-screen and voice-overs.
Parenthetical
Indent: Left: 1.5" Right: 2.0" Width: 2.5"
A parenthetical is direction for the character, that is either attitude or action-oriented. With roots in the playwriting genre, today, parentheticals are used very rarely, and only if absolutely necessary. Why? Two reasons. First, if you need to use a parenthetical to convey what's going on with your dialogue, then it probably just needs a good re-write. Second, it's the director's job to instruct an actor on how to deliver a line, and everyone knows not to encroach on the director's turf!
Extension
Placed after the character's name, in parentheses
An abbreviated technical note placed after the character's name to indicate how the voice will be heard onscreen, for example, if the character is speaking as a voice-over, it would appear as LIAM (V.O.).

AVOID PUTTING CAMERA / SHOT INFO IN YOUR SCRIPT --- this info is in your shot list!

Remember use software to help you properly format your materials:
Celtx

Thursday, September 29, 2016

Sites for Scripts and Screenplays for Scene Assignments

Please note: not all sites host scripts in proper screenplay format, so you may need to re-type your scene in proper format using Final Draft, Celtx or some other screenplay formatting software.


IMSDB – Internet Movie Screenplay Database - http://www.imsdb.com/

Go Into the Story - http://gointothestory.blcklst.com/free-script-downloads/


Drew’s Script-o-Rama - http://www.script-o-rama.com/snazzy/table.html


Simply Scripts - http://www.simplyscripts.com/movie-scripts.html


AwesomeFilm - http://www.awesomefilm.com/


Screenplays For You - https://sfy.ru/


The Daily Script - http://www.dailyscript.com/movie.html


The Screenplay Database - http://www.screenplaydb.com/film/all/


 The Script Lab - http://thescriptlab.com/screenwriting-101/screenplay/download-scripts#


Movie Scripts and Screenplays - http://www.moviescriptsandscreenplays.com



Original Source for this List: https://www.nyfa.edu/student-resources/10-great-websites-download-movie-scripts/

Tuesday, September 27, 2016

Scene Assignment Examples

I encourage you all to review the scene assignments from 312 students who have come before you.


Calvin's Shooting Script

Calvin's Floor Plan

Annelie's Visual References

Ellen's storyboard

Tanner's shot list

Tanner's Floor Plan

Tanner's storyboards

Watch their scenes and look at their pre-production materials. There are many great examples, but here's a short list of links to get you started that share more of the examples embedded above.

See Calvin's assignment here:
http://rosstcf312.blogspot.com/2015/04/scene-assignment-materials.html

See Tanner's assignment here:
http://tleerobbins.blogspot.com/2014/12/somethings-gotta-give-scene-assignment.html

See Ellen's assignment here:
http://slimgibson.blogspot.com/2014/12/production-bible.html
her video is here:
http://slimgibson.blogspot.com/2014/12/scene-assignment.html


You should also read the three required chapters in Voice in Vision - it will help you think through your own project and what you need to think about to prepare your scene assignment materials.

Group 2 Camera Test

camera movement tests for class from Billy Causey on Vimeo.

haters will say its fake

Saturday, September 24, 2016