Thursday, November 10, 2016

Examples: Reels and Artist Statements

For our final assignment you must edit a 45 second to 1 minute reel of your work as a videographer - this means all the footage you have filmed in any classes or projects. If you are low on content you may create a Director/DP reel but you must specify what you filmed and what you directed, but you must indicate your reel using titles in your reel.

FOR  YOUR VIDEOGRAPHER'S REEL: Keep in mind lots of folks have many different reels for different kinds of jobs they pitch for but for this assignment, choose your favorite shots (for their look/aesthetics) and put them together in a way that represents your style, ability to operate and move the camera, your lighting and technical skills.

In class we will talk about CINEMATOGRAPHER/VIDEOGRAPHER'S REEL as well as DIRECTOR and EDITOR REELS - there are differences!
You are also encouraged to browse old 312 sites and see what your peers have put together. Visit the right sidebar, scroll down for pasts 312 reels. 

Tuesday, October 18, 2016

Thursday, October 6, 2016

Group 1's In class Movement Tests

Group1MovementTests from Drake McDonald on Vimeo.
Here it is at long last!!!!

Screenplay Format Examples




What is a Screenplay?

In the most basic terms, a screenplay is a 90-120 page document written in Courier 12pt font on 8 1/2" x 11" bright white three-hole punched paper. Wondering why Courier font is used? It's a timing issue. One formatted script page in Courier font equals roughly one minute of screen time. That's why the average page count of a screenplay should come in between 90 and 120 pages. Comedies tend to be on the shorter side (90 pages, or 1 ½ hours) while Dramas run longer (120 pages, or 2 hours).
A screenplay can be an original piece, or based on a true story or previously written piece, like a novel, stage play or newspaper article. At its heart, a screenplay is a blueprint for the film it will one day become. Professionals on the set including the producer, director, set designer and actors all translate the screenwriter's vision using their individual talents. Since the creation of a film is ultimately a collaborative art, the screenwriter must be aware of each person's role and as such, the script should reflect the writer's knowledge.
For example, it's crucial to remember that film is primarily a visual medium. As a screenwriter, you must show what's happening in a story, rather than tell. A 2-page inner monologue may work well for a novel, but is the kiss of death in a script. The very nature of screenwriting is based on how to show a story on a screen, and pivotal moments can be conveyed through something as simple as a look on an actor's face. Let's take a look at what a screenplay's structure looks like.

The First Page of a Screenplay

While screenplay formatting software such as Final DraftMovie Magic ScreenwriterMovie Outline and Montage frees you from having to learn the nitty-gritty of margins and indents, it's good to have a grasp of the general spacing standards.
The top, bottom and right margins of a screenplay are 1". The left margin is 1.5". The extra half-inch of white space to the left of a script page allows for binding with brads, yet still imparts a feeling of vertical balance of the text on the page. The entire document should be single-spaced.
The very first item on the first page should be the words FADE IN:. Note: the first page is never numbered. Subsequent page numbers appear in the upper right hand corner, 0.5" from the top of the page, flush right to the margin.

Screenplay Elements

Below is a list of items (with definitions) that make up the screenplay format, along with indenting information. Again, screenplay software will automatically format all these elements, but a screenwriter must have a working knowledge of the definitions to know when to use each one.
Scene Heading
Indent: Left: 0.0" Right: 0.0" Width: 6.0"
A scene heading is a one-line description of the location and time of day of a scene, also known as a "slugline." It should always be in CAPS.
Example: EXT. WRITERS STORE - DAY reveals that the action takes place outside The Writers Store during the daytime.
Subheader
Indent: Left: 0.0" Right: 0.0" Width: 6.0"
When a new scene heading is not necessary, but some distinction needs to be made in the action, you can use a subheader. But be sure to use these sparingly, as a script full of subheaders is generally frowned upon. A good example is when there are a series of quick cuts between two locations, you would use the term INTERCUT and the scene locations.
Action
Indent: Left: 0.0" Right: 0.0" Width: 6.0"
The narrative description of the events of a scene, written in the present tense. Also less commonly known as direction, visual exposition, blackstuff, description or scene direction.
Remember - only things that can be seen and heard should be included in the action.
Character
Indent: Left: 2.0" Right: 0.0" Width: 4.0"
When a character is introduced, his name should be capitalized within the action. For example: The door opens and in walks LIAM, a thirty-something hipster with attitude to spare.
A character's name is CAPPED and always listed above his lines of dialogue. Minor characters may be listed without names, for example "TAXI DRIVER" or "CUSTOMER."
Dialogue
Indent: Left: 1.0" Right: 1.5" Width: 3.5"
Lines of speech for each character. Dialogue format is used anytime a character is heard speaking, even for off-screen and voice-overs.
Parenthetical
Indent: Left: 1.5" Right: 2.0" Width: 2.5"
A parenthetical is direction for the character, that is either attitude or action-oriented. With roots in the playwriting genre, today, parentheticals are used very rarely, and only if absolutely necessary. Why? Two reasons. First, if you need to use a parenthetical to convey what's going on with your dialogue, then it probably just needs a good re-write. Second, it's the director's job to instruct an actor on how to deliver a line, and everyone knows not to encroach on the director's turf!
Extension
Placed after the character's name, in parentheses
An abbreviated technical note placed after the character's name to indicate how the voice will be heard onscreen, for example, if the character is speaking as a voice-over, it would appear as LIAM (V.O.).

AVOID PUTTING CAMERA / SHOT INFO IN YOUR SCRIPT --- this info is in your shot list!

Remember use software to help you properly format your materials:
Celtx

Thursday, September 29, 2016

Sites for Scripts and Screenplays for Scene Assignments

Please note: not all sites host scripts in proper screenplay format, so you may need to re-type your scene in proper format using Final Draft, Celtx or some other screenplay formatting software.


IMSDB – Internet Movie Screenplay Database - http://www.imsdb.com/

Go Into the Story - http://gointothestory.blcklst.com/free-script-downloads/


Drew’s Script-o-Rama - http://www.script-o-rama.com/snazzy/table.html


Simply Scripts - http://www.simplyscripts.com/movie-scripts.html


AwesomeFilm - http://www.awesomefilm.com/


Screenplays For You - https://sfy.ru/


The Daily Script - http://www.dailyscript.com/movie.html


The Screenplay Database - http://www.screenplaydb.com/film/all/


 The Script Lab - http://thescriptlab.com/screenwriting-101/screenplay/download-scripts#


Movie Scripts and Screenplays - http://www.moviescriptsandscreenplays.com



Original Source for this List: https://www.nyfa.edu/student-resources/10-great-websites-download-movie-scripts/

Tuesday, September 27, 2016

Scene Assignment Examples

I encourage you all to review the scene assignments from 312 students who have come before you.


Calvin's Shooting Script

Calvin's Floor Plan

Annelie's Visual References

Ellen's storyboard

Tanner's shot list

Tanner's Floor Plan

Tanner's storyboards

Watch their scenes and look at their pre-production materials. There are many great examples, but here's a short list of links to get you started that share more of the examples embedded above.

See Calvin's assignment here:
http://rosstcf312.blogspot.com/2015/04/scene-assignment-materials.html

See Tanner's assignment here:
http://tleerobbins.blogspot.com/2014/12/somethings-gotta-give-scene-assignment.html

See Ellen's assignment here:
http://slimgibson.blogspot.com/2014/12/production-bible.html
her video is here:
http://slimgibson.blogspot.com/2014/12/scene-assignment.html


You should also read the three required chapters in Voice in Vision - it will help you think through your own project and what you need to think about to prepare your scene assignment materials.

Group 2 Camera Test

camera movement tests for class from Billy Causey on Vimeo.

haters will say its fake

Saturday, September 24, 2016

Tuesday, September 13, 2016

WATCH THIS! Short Doc from TCF ALUM Henry Busby

Henry Busby, the student who made the County HS football 312 assignment recently made this short doc.

WATCH IT. It feels very much like it is working within the bounds (and rules) of our assignment.


Picture Yourself from Voyager on Vimeo.

I'd love to know what you think. Lets chat about this in class!

Tuesday, September 6, 2016

Timelapse, Overcranking and Undercranking - LInks from 9/3 Class

Examples of filming timelapse shots with Sony EX3:

EX3 Timelapse from Christian Bielz on Vimeo.




Here is a video tutorial on setting Sony EX3 to do interval recording:



Examples of UNDERCRANKING (fast motion) with EX3:


Tourists (EX3 undercrank) from Christian Bielz on Vimeo.

The First Snow, Canon 7D from Reid Carrescia on Vimeo.

Examples of OVERCRANKING (SLOW motion) with Canon 7D:

Slow it Down (Canon 7D Slow Motion) from Jessy Cyganczuk on Vimeo.


EXAMPLES FROM TOM GUILMETTE who is considered one of the best cinematographer/DP/camera operator for super high speed filming:

Explore his homepage: http://tomguilmette.com/




Tom primarily shoots with the PHANTOM FLEX camera


Saturday, September 3, 2016

My favorite director as of right now is Dennis Villeneuve-- he has directed Enemy, Prisoners, Sicario, and the upcoming Blade Runner sequel. He studied film at the University of Quebec at Montreal and directed/wrote his own short films until he garnered enough experience to tackle a low budget feature.

I'll focus on Enemy for this post.

Nicolas Buldoc was the cinematographer for the movie. He is a friend of Villeneuve and also attended the same college. Buldoc tends to do more artistic films, thus his film selection isn't the most mainstream. I think some people tend to believe that more gross = better movie. I like that he doesn't just do any old film, he really wants to be attracted to the story, not the mainstream success.

As far as I could research, I did not find that he was a part of any organization.

Here is a video of him talking about the film and working with Dennis.
 https://www.youtube.com/watch?v=iU4MY_My6vA

Tuesday, August 30, 2016

Documentary Storytelling Assignment Examples

Reminder: RESERVE YOUR EQ at least 48 HOURS IN ADVANCE! 

Since our new equipment reservation system is not fully operation, lets go ahead and plan on using email to reserve your equipment.


Your email must include the following information:

Your Name
TCF 312
Pickup Date:
Return Date:
Detailed list of EQ desired (BE SPECIFIC!), for example: 
SONY EX3
larg Manfrotto tripod 
battery
charger
white card
shotgun mic 
fishpole
Sennheiser headphones


Example VideosWe will watch some of these examples in class but I encourage you to watch as many as you're able. 

When you watch the examples, consider:

  • WHAT is the story or stories being told (what do you think is the filmmaker's message, or what do you take from his/her piece?) 
  • HOW is the story told visually. What are the levels of filmmaking - technical skill, aesthetics/style, color, camera work, etc... being deployed to work in service of the media message? 
  • Think CONTEXT, CONTENT & FORM.

Here are some (hopefully) inspiring examples:
Brian B+ Cross "KEEPINTOKYO" and "TEEBS"

pouringdown.tv - "of all the things that can happen" and "the skies uptown"


Examples from past 312 students:


Lynita Motes Art from Jana Patton on Vimeo.



TCF 312 Portrait of a Place from Henry Busby on Vimeo.



The 15th Lake from Xavier Burgin on Vimeo.


Examples from projects on Vimeo:

 Harlem Elvis from John X. Carey on Vimeo.



Kickflip from I Am Los Angeles on Vimeo.



Look Up at the Stars, Portugal! from Matty Brown on Vimeo.



Shelter from the Storm from John X. Carey on Vimeo.


The Guardian from Carly Palmour on Vimeo.



D-Nice Presents: Experiencing The Dream from D-Nice on Vimeo.



2012 True School Park Jam Series Trailer from Noisemaker Media on Vimeo.


Please also see what other TCF students have done before you. Visit the right sidebar and look for "Portrait of a Place" in the blog post title.

Group 2's Assignment 1 Videos

Group 2 Classical Hollywood from Osagie Jesuorobo on Vimeo.


312 First Scene Edit from Austin Taylor on Vimeo.

Sunday, August 28, 2016

Bites Apple

Bites Apple: one of Group 1's videos for the scene assignment.

BitesApple_vimeo from Drake McDonald on Vimeo.

Tuesday, August 23, 2016

Welcome to TCF 312 for Fall 2016

In class we will talk about post-production workflow and export compression settings.

For every project I ask that you export two files of your project, including:
1) Full resolution export (most likely 1920 x 1080) to show via projection in class
and
2) Vimeo compressed export (most likely 1280 x 720) to upload to your individual blog


Here are the VIMEO COMPRESSION TUTORIALS for Premiere, Avid, FCP and others.


https://vimeo.com/help/faq/uploading-to-vimeo/compression-tutorials#adobe-premiere-pro-cc-721




Here is the quick settings for export from Adobe Premiere. If you are editing with other software, please visit the Vimeo Compression Settings Guidelines for instructions.


Monday, April 25, 2016

Assignments: Reel and Artist Statement

For our final assignment you must edit a 45 second to 1 minute reel of your work as a videographer - this means all the footage you have shot (in any classes or projects) is allowable. If you are low on content you may create a Director/DP reel but you must specify what you filmed and what you directed.

FOR  YOUR REEL: Keep in mind lots of folks have many different reels for different kinds of jobs they pitch for but for this assignment, choose your favorite shots (for their look/aesthetics) and put them together in a way that represents your style and technical skills.

You are also encouraged to browse old 312 sites and see what your peers have put together. Visit the right sidebar, scroll down for pasts 312 reels. Really old ones also live here: http://thedocisfeelinginspired.blogspot.com

Tuesday, February 23, 2016

Scene Assignment Examples

I encourage you all to review the scene assignments from 312 students who have come before you.


Calvin's Shooting Script

Calvin's Floor Plan

Annelie's Visual References

Ellen's storyboard

Tanner's shot list

Tanner's Floor Plan

Tanner's storyboards

Watch their scenes and look at their pre-production materials. There are many great examples, but here's a short list of links to get you started that share more of the examples embedded above.

See Calvin's assignment here:
http://rosstcf312.blogspot.com/2015/04/scene-assignment-materials.html

See Tanner's assignment here:
http://tleerobbins.blogspot.com/2014/12/somethings-gotta-give-scene-assignment.html

See Ellen's assignment here:
http://slimgibson.blogspot.com/2014/12/production-bible.html
her video is here:
http://slimgibson.blogspot.com/2014/12/scene-assignment.html


You should also read the three required chapters in Voice in Vision - it will help you think through your own project and what you need to think about to prepare your scene assignment materials.

Tuesday, January 26, 2016

Documentary Storytelling Assignment

Reminder: RESERVE YOUR EQ at least 48 HOURS IN ADVANCE! 


Your email should include the following:
TCF 312
Your Name
Pickup Date:
Return Date:
Detailed list of EQ desired (BE SPECIFIC!), for example: SONY EX3, Gitzo or new Manfrotto tripod, battery, charger, white card, shotgun mic (or onboard camera mic --- pay attention at least one camera is missing the onboard shotgun mic), fishpole, Sennheiser headphones

Example VideosWe will watch some of these examples in class but I encourage you to watch as many as you're able. Note: due to snow day, we won't have time to watch in class. 

When you watch the examples, consider WHAT is the story or stories being told (what do you think is the filmmaker's message, or what do you take from his/her piece?), and HOW is the story told visually. What are the levels of filmmaking - technical skill, aesthetics/style, color, camera work, etc... being deployed to work in service of the media message? Think CONTEXT, CONTENT & FORM.

Here are some (hopefully) inspiring examples:
Brian B+ Cross "KEEPINTOKYO" and "TEEBS"

pouringdown.tv - "of all the things that can happen" and "the skies uptown"


Examples from past 312 students:


Lynita Motes Art from Jana Patton on Vimeo.



TCF 312 Portrait of a Place from Henry Busby on Vimeo.



The 15th Lake from Xavier Burgin on Vimeo.


Examples from projects on Vimeo:

 Harlem Elvis from John X. Carey on Vimeo.



Kickflip from I Am Los Angeles on Vimeo.



Look Up at the Stars, Portugal! from Matty Brown on Vimeo.



Shelter from the Storm from John X. Carey on Vimeo.


The Guardian from Carly Palmour on Vimeo.



D-Nice Presents: Experiencing The Dream from D-Nice on Vimeo.



2012 True School Park Jam Series Trailer from Noisemaker Media on Vimeo.


Please also see what other TCF students have done before you. Visit the right sidebar and look for "Portrait of a Place" in the blog post title.








Two Scene: Group 2

The Office: You're Late 


Directed By: Jordan Riviere
Shot By: Joshua Horton
Actor #1: Reed Robinson
Actor #2: Tucker Browning
Audio/Edited By: Shawn Terry

Don't Do Drugs

Don't Do Drugs from Shawn Terry on Vimeo.

Directed By: Tucker Browning
Audio By: Reed Robinson
Actress #1: Jordan Riviere
Actor #2: Joshua Horton
Shot/Edited By: Shawn Terry

Two Scenes: Group 1

2scenesVimeo from Lucas on Vimeo.

Two Scenes: Group 3


Scene 1:
Actors: Allen Miller, Keran Jiang
Director: Sarah Lane Davidson
DP: Chris Cleveland
Sound: Evan Terry


Scene 2:
Actors: Sarah Lane Davidson, Evan Terry
Director: Chris Cleveland
DP: Allen Miller
Sound: Keran Jiang